[ shared blog] Saturn surpasses Jupiter after the discovery of 20 new moons — Scents of Science

A team led by Carnegie’s Scott S. Sheppard has found 20 new moons orbiting Saturn. This brings the ringed planet’s total number of moons to 82, surpassing Jupiter, which has 79. The discovery was announced Monday by the International Astronomical Union’s Minor Planet Center. Each of the newly discovered moons is about five kilometers, or […]

via Saturn surpasses Jupiter after the discovery of 20 new moons — Scents of Science

Something New, the next Hard Day’s Night

 

Beatles Something new

The harvest of Beatlemania of 1964 continued with their third Capitol album in a seventh-month period, Something New, a title which wasn’t that true at all. To summarize, The Beatles’ Second Album had only been released on April 10. The United Artists’ version of A Hard Day’s Night (US) was an abridged version of the original Parlophone (UK) LP. However, the US LP preceded the better UK version by two weeks (release dates, June 26 for United Artists vs. July 10 for Parlophone).

Beatles A Hard Day's night United Artists cover U.S. v., A Hard Day’s Night (1964)

Beatles A Hard Day's Night U.K. cover and the original Parlophone release

With me so far? It gets better. Something New followed the UK Hard Day’s Night by ten days and less than a month after the US LP. If this album has any weakness, it’s the lack of a strong lead single. On the other hand, apart from “Slow Down’ and “Matchbox”, it is notably lacking in the cover songs that would fill their LPs up through Beatles For Sale, or Beatles VI, depending on which continent you were born on.

Anal details: eight of its eleven tracks had already appeared on the original A Hard Day’s Night; five of  those songs had already appeared the month before on the United Artists’ album. It would be the third album release for “I’ll Cry Instead”, which we never even got to hear in the movie! Side One closes with two songs from the British Long Tall Sally EP. I’ll get to the song that closes in a bit. “A Hard Day’s Night”, “I Should Have Known Better” and “Can’t Buy Me Love” had already appeared on both/either Hard Day’s Night LPs. The only remaining orphans from the Parlophone album were “You Cant Do That”, which had already appear on The Beatles’ Second Album in April; and “I’ll Be Back”, relegated to Beatles ’65, soon to be released in December 1964.

Also of note, on the trivial side, in addition to being released in Mono, it was the only early Beatles album where all tracks were in true stereo. Alternate versions of “Any Time at All”, “I’ll Cry Instead”, “When I Get Home”, “If I Fell” and “And I Love Her” appear in the Mono mix. Parlophone released Something New to US Armed Forces bases in Europe; today those copies are appropriately great collector’s items. The German stereo version on the Odeon label has a reprocessed stereo version of “Komm, Gib Mir Deine Hand” and an extended version of “And I Love Her” that repeats the closing riff six times instead of the familiar four. This mix appears on the US version of the now-defunct LP Rarities (1980). In 2004 the album was released on CD as part of the box set The Capitol Years, Volume I.

All fine, but how does it sound??? Despite being A Hard Day’s Night Redux, it’s actually a pretty listenable album. “I’ll Cry Instead” gets it off to a rocking start; “Things We Said Today” was a reflection on Paul’s relationship with actress Jane Asher. “If I Fell” and “And I Love Her” were two of John and Paul’s most tender love songs; given their relative youth, it’s surprising how much depth and maturity they could fit into two and a half minutes each.

https://www.thoughtco.com/the-beatles-only-german-recordings-4075314

http://www.beatlesebooks.com/komm-gib-mir-deine-hand

The final track, “Komm, Gib Mir Deine Hand”, was a German language recording of “I Want to Hold Your Hand”. It wasn’t something they really wanted to do, and in the end they had to be dragged to the studio in Paris to get the job done. It wasn’t unknown for American artists in the ’60’s to record foreign-language versions of their biggest hits. The Temptations for example did the Beatles one better by recording “My Girl” not only in German but in Italian as well.

For “Komm…”, the band used the original instrumental track, then recorded eleven vocal takes, overdubbing handclaps later. And that’s all Capitol had to offer until November with the release of The Beatles’ Story, a two-LP spoken-word press release until Beatles ’65 arrived in December, with “I Feel Fine” rounding out the year.

 

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.  Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

f & d cover

 

HER MOTHER’S SUIT

[Another short post with my Deviantart OC, Lianna. Enjoy.]

DEAR DIARY: It fits perfectly.

The second I graduated from the Space Academy and got my Independent Pilot’s license, I wanted to try it on. Professor Chronitis kept all my parent’s belongings after he took me in, including Mama’s skin suit.

It still smells like her, all jasmine and roses.   I want to go to all the places she would’ve gone to. I’m gonna find every weird form of life she never got a chance to. I know it’s kind of weird, but sometimes it’s like she’s still with me, even though she’s been dead over 15 years. I do miss Papa; but I wanna do this for her more.

 

her mother's suit scan (2)300 (1)

 

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.  Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

f & d cover

Remember the ship where you were born: Lianna’s Story

I’m afraid when I started posting pix of my OC Lianna Jensen on my Deviantart page, I had no story to go by. Basically I was following the Jim Starlin method of writing, ie, I was making things up as I go. I hadn’t even given her a name until my fourth art set with her. Fortunately by then I also concocted an origin story, and it’s held up pretty nicely since. Enjoy.

 

I wasn’t actually born there. I was seven years old at the time of her launch. She was a Podship, the first of its kind, with a fully-automated wetwork to monitor our life-signs as we slept between the stars. Her Bangali designers christened her the Naga Sentry.    

M-21

Her solar sails could harness the currents of Dark Energy between stars. We weren’t scheduled to be awoken for another 100 years, once we reached our destination. She was billed as the Perfect Vessel to colonize the stars, and in a way she was…a perfect nightmare.   

Seventeen years into our voyage, our ship hit a solar storm, a corrusation of gamma-ray bursts within Sector 006. Oh, our sleeper-beds were undamaged…we were ray-shielded after all.   But the sheer energy billowing through our sails pushed us violently off course, into unknown space. The star-patterns weren’t any that the Navigation banks had been programmed for, so the passengers were awoken too soon in order for them to take charge.

M-23a (1)

That might explain the subsequent behavior of the passengers and crew. We’d entered a sector where the Multiuniverses converged. The quantum energies flowing between these tiny, overlapping Multiverses began to affect our minds. You might say the adults all got cabin fever…

Even my parents. I-I mean, they adored each other…both as smart as whips…b-but they became like….like…oh God…

By the time the Naga Sentry left that sector and returned to a semblence of normal space, the only ones left alive were the children. The bully boys basically took over, organizing into their own little cliques. They kept some of the Smart Boys on, ‘cause they knew how to work the ship. Some of the smart girls attached themselves to the bully-boys in charge. Anyone who wasn’t attached was called a Loner. And culled.

They might just as well have called us lepers. It wasn’t easy being a Loner. You really had to be ninja. You had to be quick…you had to be sneaky…And you had to know where to hide…

There weren’t many Loners left by the time that lone mining tramp-ship almost collided with us. At least her captain had the decency to call the Space Port Authorities. You see, we couldn’t have  known there’d be such advances in sublight engineering in the decades since the Naga Sentry left port. Even the most common ship possessed speeds that had easily overtook our ship and surpassed it. Our mission had become irrelevent. In fact, we’d gone down in history as a legend; the Lost Ship they called us.

We were all pretty much in rags at that point, and didn’t care. Some of the career Terranauts were scared to be around us. Not one man though. He was one of the Observers who came with the rescue ship. I don’t know what Professor Chronitis saw in me, but…he offered me his hand and took me in, and raised me as his own daughter.

 

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at Amazon.com.  Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

f & d cover

 

Book update: thinking Spanish

The third book in the Butterfly & Serpent series has logged another chapter, so I am making progress. The challenge is getting into another culture, another mindset, which might be hampered a bit by an inability to travel. The problem is compounded by the fact that just in the first section of the new book, I’ve had to learn not one but two cultures, diametrically opposed. But I’m keeping at it.

My biggest regret in this regard is that I wasn’t ready until now. I would have loved to have asked my grandmother Elsy about Spain, she was very knowledgeable about all things Spanish. That’s my bad. I’ve finished Vicente Blasco Ibanez’s classic novel Blood and Sand. If nothing else I’ve come away sharing the author’s healthy disgust with the whole ‘sport’ of bullfighting. I feel more for the bulls than the matadors. I can’t even talk to my wife about what happens to the poor horses. The people who go to these things are animals.

cover blood and sand

That’s where I’m at. I’m moving on to the next chapter. Thanks for the support, everyone.

 

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.

f & d cover

Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

Beatles ’64—what a year!

To say 1964 was a fruitful year for the Beatles, as well as a bonanza for Beatles fans, may be the understatement of the past century. At least it was for their American fans, who were treated to seventeen single releases, twelve albums and a motion picture, not including a national tour and two appearances on The Ed Sullivan Show. All their native Brits got was two albums and an EP-single.

beatles with the beatles       Beatles EP uk_long-tall-sally-960x960

Actually, a serious analysis would show those numbers are a bit misleading, and in fact England got the better part of the deal. Two albums may not seem like much, but those albums were presented to them as nature (or their British label, Parlophone Records) intended. In 1963 the Beatles also had their radio show, adding up to 39 BBC sessions that year, and a further eight radio shows in 1964. While that certainly was a much reduced schedule for ’64, it was something we didn’t have access to in America, at least not before the advent of bootlegs in the 1970’s.

For the next three years screaming rabid fans would be the norm for the four lads from Liverpool. This new generation of record buying kids had developed an insatiable hunger for Beatles merchandise. The boys could have recorded an album of Gregorian chants, in basic Liverpudillian, and odds are it would’ve cracked the Top Ten charts.

Let’s start with Vee Jay. Introducing…The Beatles was Vee Jay Records’ attempt to cash in on Beatlemania, and that story is worthy of a blog by itself. Before their contract on the music had even expired, Vee Jay re-packaged the same album—twice; first as Songs, Pictures and Stories of the Fabulous Beatles (October 1964, chart peak 63), and again as a double album, The Beatles vs. the Four Seasons (Oct. 1964, chart peak 143), paired with a greatest hits package by the Seasons.

Beatles Introducing...VeeJay     Beatles sogns pictures etc of fab bs vj     Beatles vs 4 seasons lp     Beatles Jolly_What_by_Beatles_and_Frank_Ifield

On February 26, 1964 Vee Jay offered another misleading title, Jolly What! England’s Greatest Recording Stars: The Beatles and Frank Ifield On Stage, reissued in October as The Beatles and Frank Ifield On Stage. While the Fab Four only had four tracks on the LP, none of them live, this was the only place to hear their hit single “From Me to You” until 1973’s compilation The Beatles 1962-1966 (‘The Red Album’) hit the market. The Beatles Story was a double-album propaganda piece that required little to no participation of the band members; and again it was slapped together in response to Vee Jay’s interview record Hear the Beatles Tell All (Nov. 1964). That’s seven down.

Beatles_and_Frank_Ifield_on_Stage     Beatles storyalbumcover     Beatles hear the beatles tell all

https://rateyourmusic.com/release/album/the-beatles/the-beatles-story/

We’ll discuss the official U.S. capitol albums another time. Suffice it to say you can thank Dave Dexter, the Capitol Records exec who’d spend the next three years creating two albums out of one, with the addition of all their singles and B-sides. For now it is time to dispel the confusion…or perhaps to add to it.

The first Beatles album released in North America isn’t what you think it was. Capitol Canada got the jump on us by issuing their second British LP, what we know as Meet The Beatles! a couple months ahead of Capitol US, under the augmented title Beatlemania! With The Beatles. That was followed by Twist and Shout, the Canadian version of their first LP Please Please Me. The final Canadian-exclusive Capitol release was The Beatles’ Long Tall Sally, which incorporated the British EP of the same name with four tracks already released on the Beatlemania! album. The cover design was virtually identical to Capitol US’s The Beatles’ Second Album. From here on Capitol Canada followed the U.S. releases, beginning with A Hard Day’s Night.

Beatles Canada LongTallySally       Beatles Second Album cover

Nor was their time wasted with Tony Sheridan. Their first professional recordings were backing the English singer on five tracks in 1961, although they were credited then as The Beat Brothers. “My Bonnie” (Polydor, 1962) would be the single that brought them to the attention of their future promoter Brian Epstein. And these recordings would be twice issued, as The Beatles with Tony Sheridan and Their Guests, augmented by six tracks featuring Danny Davis & the Titans (MGM/Atco, Feb. 2, 1964, chart peak 68); and then as Ain’t She Sweet, featuring an entire side devoted to British Invasion band the Swallows (Atco, Oct. 5, 1964).

Beatlesmgm w Tony Sheridan      Beatlesatco Ain't she Sweet

Here’s a misleading list of all the Beatles’ albums from 1964:

-Official British releases for 1964: 

Long Tall Sally (EP, June 19)

A Hard Day’s Night (July 10)           

Beatles for Sale (Dec. 4)

Beatles A Hard Day's Night U.K. cover      Beatels for sale

-Beatles releases by Capitol Records for 1964:         

Meet the Beatles (January 20)        

The Beatles’ Second Album (April 10)    

Something New (July 20)    

The Beatles’ Story (Nov. 23)

Beatles ’65 (Dec. 15)

beatles meet the beatles     Beatles Something newBeatles 65 vinyl

Beatles A Hard Day's night United Artists cover
U.S. release A Hard day’s Night, United Artists, released June 26, 1964

-Vee Jay LPs: 

Introducing the Beatles (Jan. 27)

Songs, Pictures and Stories of the Fabulous Beatles (October)      

The Beatles vs. the Four Seasons (Oct.)     

Jolly What! England’s Greatest Recording Stars: The Beatles and Frank Ifield On Stage (Feb. 26)

[reissued in October as The Beatles and Frank Ifield On Stage]  

Hear the Beatles Tell All (Nov.)

 

-Reissues of 1961 recordings with Tony Sheridan:  

The Beatles with Tony Sheridan and Their Guests (Atco, Feb. 2)

Ain’t She Sweet (Atco, Oct.5) 

 

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.

Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA