In 1935, a group of New York communists boarded a German luxury liner during a lavish sending-off party attended by celebrities, Rockefellers, and Roosevelts. Their goal: capture the swastika.
BLOG–You’ve consistently refused being termed a ‘mutant’, ‘psychic’, ‘medium’ et al. May I ask why?
JAMAI–Because they’re just labels. They’re another way of saying ‘you’re a freak, you don’t belong.’
B–I take it you’re not fond of labels.
J–I despise them. It’s just another way of dividing people, of keeping them down. Listen, my husband’s uncle once told me that words have a profound effect on our social relations. When I was young I was stupid enough to let myself be blinkered by these insults.
B–I’d never call you stupid.
J–Appreciated. I’ll give you an example of what I mean from your own day and age. The great Miles Davis was invited to participate in a charity record–“Sun City”, and the umbrella title for the group was Artists United Against Apartheid. The project was spearheaded by Steven Van Zandt. Miles’ part was to be edited into a jazz track, but at some point in his performance, Miles started muttering, “you can’t go in there, you’re the wrong color.”
B–“The Struggle Continues,” that was the track.
J–Good. There’s hope for you yet. Well, Miles’ rap was entirely spontaneous, but so truthful, that they built that whole track around it.
B–I guess what you’re saying is today, right now, you’re comfortable with who you are?
J–Why shouldn’t I be? I tried to fit in, to be like ‘everybody else’. But the truth is, people or bosses or your leaders will never be satisfied no matter how much you try to fit in. Why should I change to satisfy them? Why make myself uncomfortable with myself? I’m a person and I’m different. So what? I don’t have to prove anything to anyone but myself. And neither do you. If who you are isn’t good enough form “them”, whoever “they” are, they can get stuffed!
FATHERS & DAUGHTERS, the second book in the BUTTERFLY & SERPENT book series, is now out on http://www.amazon.com as a paperback & Kindle.
I encountered Adam Warlock through the usual venues, i.e. reading comic books after my brothers were done with them. I was too young to have any set parameters; my mind was wide open to the possibilities. The cynicism that characterized the rest of the 1970s wouldn’t set in for another three years.
Apparently I was more taken with Warlock and the original Captain Marvel [Marvel Comics version, not Shazam!] than most readers, considering that he couldn’t seem to hold a comic down. I’d read Warlock’s debut story in a Fantastic Four reprint magazine a couple years after his book ended abruptly in 1973. Back then he was a product of genetic experimentation known only as Him
I caught the first two issues of that plotline, which brings up another pet peeve of mine–I couldn’t stop missing the FINAL issue in a comic book’s multi-part arc. I reach the cliffhanger, and somehow the following month, I always missed the final part. If I wanted to know how a story arc wrapped, I’d have to gather that from the recap they helpfully provided in the following issue. Either that or I’d have to wait YEARS to track that comic book down at a used book-store.
What I’ll call Phase One of Adam Warlock’s comic book life was an allegorical retelling of the legend of the Son of God, where the newly christened Adam was cast as the golden-skinned action-hero Jesus who steps forward to rid a new world, a Counter-Earth of its fallen angel, the Man-Beast and his horde of New Men, beast-men really. The role of the Father was taken by the High Evolutionary, once a man like us but elevated by scientific means unto godhood.
Don’t worry, I have no intention of proselytizing anyone. The Jesus-Father connections are more tenuous than at first appears. If I may, I always saw Jesus as self-assured and unwavering in his purpose, whereas Adam Warlock has always been uncertain of his role and plagued by guilt over the deaths brought to his followers over his crusade.
Reading Warlock comics was often an exercise in frustration since he never seemed to wrap his own storyline up in his own magazine! We were left dangling at the end of Issue #8 when Adam and Astrella Carpenter confronted the Man-Beast revealed as the President in the White House. That chapter would have to be taken up a year later in the Hulk comics, which I was reading religiously [ironically enough] at that time.
I see now as an adult that it should have been no surprise the Man-Beast took the form of U.S. President Rex Carpenter, a charismatic Kennedyesque figure who persuaded millions to follow him down his dark path. That resurrects a chilling thought, from a lecture I attended by Dune author Frank Herbert. He warned us that Kennedy was the most dangerous President of the 20th Century because we were willing to do anything he asked. It’s likely JFK would have pulled us out of Vietnam had he lived. But people in this country have blindly followed lesser men into Middle Eastern debacles, and let’s not forget our more recent paranoid delusions over immigration, fears fanned by an even less informed mind.
I was too young to appreciate the script’s Savior underpinnings, nor was I too fond of the late Gil Kane’s art style, either. I was used to the blockbuster panels by Jack Kirby. I’m able to appreciate Kane’s naturalistic style; his heroes were muscular without being musclebound. And when the stone actually melts under Warlock’s hand beams, it’s like they are really oozing life. And God, the expressions! He was a master at capturing anger, heartbreak and the awe in each character’s face.
Artist Gil Kane, 1926-2000
The Savior parallels would be most pronounced in the three-part arc in the pages of the Incredible Hulk in 1974. This would close Phase One of Adam’s life. There is the Last Supper scene, where Hulk is cast as both Judas and Peter. A public trial would follow, and then came that heart-rending crucifixion and Adam’s cry to the High Evolutionary, “Why have you abandoned me?”
We depart briefly from the Biblical narrative when Hulk leads a revolt to indeed overthrow the evil kingdom on Counter-Earth. It only takes two days for Adam Warlock to be resurrected, and to banish the Man-Beast after he devolves him back to his wolf form. In a final Biblical allusion, Adam ascends into space with a final quote from Ray Bradbury: “Are there mangers on far worlds?” This has a profound effect on a sad Hulk, but not to worry. By the very next issue he’d be back to his raging self again.
One may have noticed my mind has been on apartheid in recent blogs. One might wonder why I’m spending so much time reflecting on a regime that’s quite clearly gone. Primarily I suppose it’s because it’s an object lesson. Change is possible when the People are so fired up that the politicians have no choice, literally none, but to do the right thing.
Honestly I never expected there would be a peaceful transition in South Africa. After five decades of oppression and resistance, I fully expected apartheid could only end in civil war, and I’m probably not the only person to think so. This is one instance where I’m glad to have been proven absolutely conclusively wrong.
But there is a better reason for me to focus on that particular dead issue. Apartheid by another name was a very real institution in post-Civil War America. We know it here as Jim Crow but it was the same thing, the exact same thing. Segregation was imposed by law across the Southern United States and sanctioned by foul Supreme Court decisions to as Plessy v. Ferguson (1896). Lynchings were a shameful legacy of those hundred years before Martin Luther King Jr. and the entire Civil rights movement stood up and said “That’s enough. We’ve waited for our rights long enough. We’ve waited for you to respect our dignity long enough.”
We are facing a moral crisis whereby the Trump administration is bound and determined to wind the clock back to the 19th Century, some never-never land of white rule that doesn’t deserve to exist. Plainly with the present conservative majority on the Supreme Court we can’t count on either their good will or their good sense for the next couple of generations.
This is a time we have to stand, not just on the national stage but in our everyday life. Its tie to put aside all labels–male, female, LGBT, black and white–and treat everyone exactly the way you’d expect to be treated, with respect, dignity and plain ol’ common courtesy. Maybe it’s naïve to dream of this but what the hell, till something better comes along I’m happy to be naïve.