The third book in the Butterfly & Serpent series has logged another chapter, so I am making progress. The challenge is getting into another culture, another mindset, which might be hampered a bit by an inability to travel. The problem is compounded by the fact that just in the first section of the new book, I’ve had to learn not one but two cultures, diametrically opposed. But I’m keeping at it.
My biggest regret in this regard is that I wasn’t ready until now. I would have loved to have asked my grandmother Elsy about Spain, she was very knowledgeable about all things Spanish. That’s my bad. I’ve finished Vicente Blasco Ibanez’s classic novel Blood and Sand. If nothing else I’ve come away sharing the author’s healthy disgust with the whole ‘sport’ of bullfighting. I feel more for the bulls than the matadors. I can’t even talk to my wife about what happens to the poor horses. The people who go to these things are animals.
That’s where I’m at. I’m moving on to the next chapter. Thanks for the support, everyone.
Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.
To say 1964 was a fruitful year for the Beatles, as well as a bonanza for Beatles fans, may be the understatement of the past century. At least it was for their American fans, who were treated to seventeen single releases, twelve albums and a motion picture, not including a national tour and two appearances on The Ed Sullivan Show. All their native Brits got was two albums and an EP-single.
Actually, a serious analysis would show those numbers are a bit misleading, and in fact England got the better part of the deal. Two albums may not seem like much, but those albums were presented to them as nature (or their British label, Parlophone Records) intended. In 1963 the Beatles also had their radio show, adding up to 39 BBC sessions that year, and a further eight radio shows in 1964. While that certainly was a much reduced schedule for ’64, it was something we didn’t have access to in America, at least not before the advent of bootlegs in the 1970’s.
For the next three years screaming rabid fans would be the norm for the four lads from Liverpool. This new generation of record buying kids had developed an insatiable hunger for Beatles merchandise. The boys could have recorded an album of Gregorian chants, in basic Liverpudillian, and odds are it would’ve cracked the Top Ten charts.
Let’s start with Vee Jay. Introducing…The Beatles was Vee Jay Records’ attempt to cash in on Beatlemania, and that story is worthy of a blog by itself. Before their contract on the music had even expired, Vee Jay re-packaged the same album—twice; first as Songs, Pictures and Stories of the Fabulous Beatles (October 1964, chart peak 63), and again as a double album, The Beatles vs. the Four Seasons (Oct. 1964, chart peak 143), paired with a greatest hits package by the Seasons.
On February 26, 1964 Vee Jay offered another misleading title, Jolly What! England’s Greatest Recording Stars: The Beatles and Frank Ifield On Stage, reissued in October as The Beatles and Frank Ifield On Stage. While the Fab Four only had four tracks on the LP, none of them live, this was the only place to hear their hit single “From Me to You” until 1973’s compilation The Beatles 1962-1966 (‘The Red Album’) hit the market. The Beatles Story was a double-album propaganda piece that required little to no participation of the band members; and again it was slapped together in response to Vee Jay’s interview record Hear the Beatles Tell All (Nov. 1964). That’s seven down.
We’ll discuss the official U.S. capitol albums another time. Suffice it to say you can thank Dave Dexter, the Capitol Records exec who’d spend the next three years creating two albums out of one, with the addition of all their singles and B-sides. For now it is time to dispel the confusion…or perhaps to add to it.
The first Beatles album released in North America isn’t what you think it was. Capitol Canada got the jump on us by issuing their second British LP, what we know as Meet The Beatles! a couple months ahead of Capitol US, under the augmented title Beatlemania! With The Beatles. That was followed by Twist and Shout, the Canadian version of their first LP Please Please Me. The final Canadian-exclusive Capitol release was The Beatles’ Long Tall Sally, which incorporated the British EP of the same name with four tracks already released on the Beatlemania! album. The cover design was virtually identical to Capitol US’s The Beatles’ Second Album. From here on Capitol Canada followed the U.S. releases, beginning with A Hard Day’s Night.
Nor was their time wasted with Tony Sheridan. Their first professional recordings were backing the English singer on five tracks in 1961, although they were credited then as The Beat Brothers. “My Bonnie” (Polydor, 1962) would be the single that brought them to the attention of their future promoter Brian Epstein. And these recordings would be twice issued, as The Beatles with Tony Sheridan and Their Guests, augmented by six tracks featuring Danny Davis & the Titans (MGM/Atco, Feb. 2, 1964, chart peak 68); and then as Ain’t She Sweet, featuring an entire side devoted to British Invasion band the Swallows (Atco, Oct. 5, 1964).
Here’s a misleading list of all the Beatles’ albums from 1964:
-Official British releases for 1964:
Long Tall Sally (EP, June 19)
A Hard Day’s Night (July 10)
Beatles for Sale (Dec. 4)
-Beatles releases by Capitol Records for 1964:
Meet the Beatles (January 20)
The Beatles’ Second Album (April 10)
Something New (July 20)
The Beatles’ Story (Nov. 23)
Beatles ’65 (Dec. 15)
-Vee Jay LPs:
Introducing the Beatles (Jan. 27)
Songs, Pictures and Stories of the Fabulous Beatles (October)
The Beatles vs. the Four Seasons (Oct.)
Jolly What! England’s Greatest Recording Stars: The Beatles and Frank Ifield On Stage (Feb. 26)
[reissued in October as The Beatles and Frank Ifield On Stage]
Hear the Beatles Tell All (Nov.)
-Reissues of 1961 recordings with Tony Sheridan:
The Beatles with Tony Sheridan and Their Guests (Atco, Feb. 2)
Ain’t She Sweet (Atco, Oct.5)
Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.
I hate to break this to you, Ricky, but, uh…your religion, Christianity? It’s kind of based on Judaism. Every bit of it. The Ten Commandments, Genesis, Noah and the Ark, Isaiah, Jonah, Moses? ALL JUDAIC FOLKLORE. Oh, and Jesus? Yep. He was a Jew. I’m afraid you’ll have to blame the Romans for slapping the ‘Christian’ label on us; our ancestors didn’t pick it, we just decided to own it.
Force me to become Christian? Heh. You have no idea what a Christian is. You and your rabid viewers have no concept of the most basic Christian concepts. You shame us with your bile and your bigotry and your basic stupidity.
Plainly you don’t understand the least thing about Americans. We’re stubborn cusses. You don’t get to ‘force’ anything on any of us. Try and push us to do something; I promise you, we will shove you back and shove you on your ass.
Also, just one more question? Before you stick your foot any deeper down your gullet, exactly WHICH version of Christianity did you mean? My home town’s phone book last year had 20 PAGES or more of listings for churches. Which denomination did you intend to impose on us?
Y’know what, just stop. You’re making this too easy. It’s because of sacrilegious gits like you that I’m no longer among the converted. My eyes are open and my mind is unchained.
Warlock 1-4 (Vol. 2) 1998 Tom Lyle script & pencils
All characters & art, @ Marvel Comics
I usually expect more of this character, this series. I suppose you can’t expect Jim Starlin to script all of Adam Warlock’s adventures, but the depth of characterization, the strange worlds he’d encountered on his watch is sorely missed here.
I suppose my greatest disappointment with this miniseries was with Adam himself; he was always a calm man, rational yet passionate, plagued by the consequences of his actions and the harm this brought to his allies. Here Adam is on an emotional roller-coaster since recovering his Soul Gem [again]. At times he’s his old rational self, at others a screaming memmie that would be perfectly at home in any ’90’s comic. Saddling Adam Warlock with a temper tantrum syndrome somehow renders him…ordinary. A quirk that could apply to this miniseries in particular.
Bringing me to Plot Failure #1. It has been re-iterated time and again that Adam Warlock would die without the Soul Gem. But if past experience is anything to go on, that thing gets popped off his brow with alarming regularity. Recall that the High Evolutionary just handed it to Adam in Marvel Premiere # 1 in 1972, which raises the question of where HE got his frisky paws on it. [That business where a sacrifice is required to acquire the Stone, by the way, insofar as I know is purely an adaptation for the movies.]
The villain for the day is Syphonn, another overlord from the anti-matter universe of the Negative Zone. He is a being gifted with an impractical tentacly suit, whose motives…yeah well, we never get to hear his backstory, so we have to take it at his word that he has a good reason for wanting to destroy the positive universe–our universe. There’s no rhythm or reason for his actions. He’s a bit like Maxwell Smart’s Siegfried: “It’s like this, Mr. Smart. There are goot guys unt there are bad guys, unt I am a bad guy.” Indeed he is a being so all powerful, so full of awe-inspiring mojo…that we never hear from him again.
His overly elaborate plan is to raise the dead body of Captain Marvel so that he may bring his Nega-bands to Drax the Destroyer. Drax’s living body will then be a conduit to open a portal from our universe to the Negative Zone. The energies released in the destruction of our cosmos would funnel to something called a Conqueror’s Wheel, which theoretically would be used to turn Syphonn into a god.
For reasons unknown this involves Mar-Vell’s corpse committing five murders across the galaxy, including that of Mar-Vell’s grieving widow Elysius at his gravesite on Titan. Each murder leaves a distinct calling card, a staff adorned with a craved head of Drax. Which brings us to the 2nd Plot Lapse: surely a plan like this would best succeed if the guilty parties did not go out of their way to attract attention to themselves–not to mention the vengeful wrath of not one but TWO protagonists, Adam Warlock and Mar-Vell’s grieving son Genis-Vell.
This also leads me to question Adam’s state of mind. He knows Drax; he called him to bear the Power Stone in the Infinity Watch. After all their dealings together, you would think he could take a moment to consider whether Drax was the object of an elaborate frame-up, instead of rushing to judgment like a damn fool human.
Familiar faces abound. Pip the Troll at least is practically writer-proof; it’s very hard to get his character wrong. Drax the Destroyer is along as well, first as the falsely accused and then as a tool. The son of deceased Kree warrior Mar-Vell, Genis, is not ready to step up as the new Captain Marvel. At this point he’s still a whiney ’90’s brat.
Gamora has very little to do here besides kick random thugs and intergalactic policemen’s fannies, and to pine over her unrequited love for Adam. To Gamora’s question, “Why did you even ask us along to “help”?”, Adam brusquely replies, “I’ve wondered that many times recently myself!” Traditional Negative Zone baddies Blastaar and Annihilus barely rise above the level of cyphers. All they contribute to the master plan is to bluster and get their asses handed to them by Drax and Genis.
Syphonn undoes his own scheme first by unintentionally blasting his own Conqueror’s Wheel; and second by foolishly engaging Adam after he goads Syphonn into using the Soul Gem against him, a plan that backfires predictably. If the moral of this series was that anger is self-destructive and counterproductive to one’s own ends, it demonstrated that point admirably. If the intention was to showcase the outlandish adventures of a cosmic entity from beyond the stars, this was a lackluster showing.
A lifelong resident of the Pacific Northwest, Michael Robbins has been the author and a contributor to six books. BUTTERFLY & SERPENT, the first book in a series, was published in 2012. Mike takes pride in being part of the American labor force for over 40 years. In his prose he strives for unity, not division; humor over prejudice; and heart over heartlessness. His art page can be found at Deviantart.com
His latest book, FATHERS AND DAUGHTERS, is available at amazon.com.
Required reading. Michael Herr takes you under fire with him and the Marines. You’ll find yourself under siege at Khe Sahn, breath their sweat, the marijuana, the fear. Despite it all, it’ll be one of those places you can’t leave behind. There are the improbable stories of daredevil war photographers such as Tim Page and of all people the son of actor Errol Flynn, Sean. Spot on-observations abound, such as, “TheGreenBerets doesn’t count. That wasn’t about Vietnam, it was about Santa Monica.”
One of the most apt summaries of the war, filed while it was still going on, appears on pg. 200: “Somewhere on the periphery of that total Vietnam issue…there was a story that was as simple as it had always been, men hunting men, a hideous war and all kinds of victims. But there was also a Command that didn’t feel this, that rode us into attrition traps on the back of fictional kill ratios, and an Administration that believed the Command, a cross-fertilization of ignorance, and a press whose tradition of objectivity and fairness (not to mention self-interest) saw that all of it got space.” This book was hard to get through, not hard to read per se but harsh in its details, and may be the most honest book about the Vietnam War.
The leaders of the protest movement and the army hope to have found common ground Saturday, April 27 in Khartoum, capital of Sudan, the first step towards an exit from the political crisis that paralyzed the country for several months. ” We reached an agreement on a joint council between civilians and the army Ahmed […]
One week after the dismissal of Omar Al Bashir, the Sudanese people are still gaining ground. The army allegedly gave in to the street yesterday by transferring the former dictator to the infamous Kober prison in northern Khartoum. Ironically, it is in the sinister jails of this penitentiary that the old regime used to imprison […]