Tag: John Lennon

March 2, 1969 Lady Mitchell Hall, Cambridge University UK–“Cambridge 1969”

For a man who became understandably reluctant to perform as a Beatle, John Lennon managed to put in plenty of time as a solo performer. Even more astounding is how much live material was actually available in his own lifetime. And to show how much time I have to muck around I propose to review said performances. I will not be including John’s all-star 31st birthday party, as while he played a range of songs, this was done for the entertainment of friends and well-wishers, besides not qualifying as a public concert.

Now I might have said that John clocked in an amazing amount of time as a solo performer. I never said a lot of it was listenable. We can attribute that in part to the avante garde leanings of Yoko Ono. While such screeching might appeal to an undisciplined art student, it is certainly less tolerable to the average listener. I’m not trying to slander Yoko; when she wants to, her singing voice can be gorgeous. “Who Has Seen the Wind” is hauntingly beautiful. Say what you will about the Some Time in New York City LP, the most enjoyable cuts were often those by Yoko–‘Angela” or ‘Sisters, O Sisters” for example. “Cambridge 1969” is not in the same category.

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“Cambridge 1969” isn’t technically a John song at all; it was Yoko who was invited to perform at Lady Mitchell Hall, Cambridge early in 1969, for an audience of 500. But John sat in on the set, in the shadows in the back. I hope Yoko had plenty of water around ’cause she put her throat through a wringer with this piece. This ‘song’ was seemingly designed to torture small dog’s ears. Yoko opens with a short, almost shy introduction–then wails like a banshee for the next 57 seconds, pausing for breath before continuing on. John was there basically to provide guitar feedback, which had none of the resonance he gave to the opening of “I Feel Fine”.

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We’re about nine minutes in before the feedback gets interesting, rising in pitch till at 9:50 it’s like a fire alarm going off. Only towards the end were they joined by a saxophonist and percussionist. This goes on for the entire first side of the Life With the Lions LP. God help the poor bastards–I mean, the student audience who sat in to endure 26 & ½ minutes of Yoko shrieking like a yowling cat.

 

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Available on: Unfinished Music #2: Life With the Lions

Release date: May 9, 1969 (UK)

The Beatles’ Bible entry:

John Lennon and Yoko Ono perform in Cambridge

 

f & d cover

Mikes’ latest book, FATHERS AND DAUGHTERS, is available at amazon.com.

Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

 

Elton John & John Lennon live: Yeah, but what about the show?

So many blogs have been written about the last legendary concert appearance by John Lennon, alongside Elton John in Madison Square Garden on Thanksgiving Day, November 28, 1974. Clearly you’d think there was nothing new to say. The problem with all these pieces is that they all say THE SAME DAMN THINGS–it’s John Lennon’s last live show, he and Yoko got back together after the show, he’d done it after a bet over his hit single “Whatever Gets You Through the Night”, yada yada. No one ever talks about the actual performance.

Ya know what? I’m not going over all that crap again. We know it. I’m going to leave some links at the end of this blog, if that’s the kind of background you want. This is my blog, my observations. The rest you can easily find elsewhere.

Among the frequent hand-me-downs from my brother Kenny was an Elton John Band single from 1975, “Philadelphia Freedom” (MCA-40364), a damn good song in its own right. The B-side, ‘Recorded Live’ the year before, was “I Saw Her Standing There”. Beneath the song title in small letters it read ‘Featuring John Lennon’.

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I didn’t know he’d done a live show with Elton John, beyond that one song. I wasn’t reading a lot of the nascent rock music press; I was barely aware there WAS one. Oh I knew about Rolling Stone, peripherally. My thing was comic books, Casey Kasem’s American Top 40 and the CBS Radio Mystery Theatre. Those were my ways of distracting myself from my dad’s marriages and divorces, our frequent moving back in forth between two towns. From the time my mom and dad split up to the beginning of high school, I’d attended three elementary schools and bounced three times between two junior highs. I was also learning how to impale myself with insulin shots, after five years of having them inflicted on me.

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-two examples of the inevitable bootlegs-

Putting the foregoing aside, I think I was very lucky, certainly better off because of my parents and siblings. Back to cases, that single was the only official release of that singular performance, outside of the inevitable bootlegs. Elton’s live LP Here and Now (1976) was a contract-fulfillment item. While good, it was a truncated single-LP collection culled from two performances done a year apart. Side One was taken from a London performance for invalid children at the Royal Festival Hall in May1974; Side Two from the aforementioned Madison Square Garden show.

In the 1970s an Elton John concert was a thing not to be missed. And because I was underage, I always did; I didn’t turn 16 years old until May of 1980. In 1995 Gus Dudgeon compiled a 2-CD album of both concerts in their entirety. CD-2 features that long-lost three-song set featuring John and Elton: “Whatever Gets You Through the Night”, “Lucy In The Sky With Diamonds” and “I Saw Her Standing There”. I’ve just finished listening to those CDs today in my car. I’m here to rate that performance while it’s still strong in my head.

Just to start with right after Elton’s introduction, while John is tuning his guitar I heard a few bars of “I Feel Fine”. I’d listened to this deluxe CD before and I’d never noticed that before. Both Johns give an energetic performance of “Whatever gets You Through the Night”, and I’ll bet John Lennon was having more fun doing this than he’s had in years. No politics, no preaching, just two guys duetting beautifully together, jamming on pure rock ‘n’ roll.

whatever gets you throu night

John is less prominent on “Lucy In The Sky”, but it IS Elton’s cover. He’s there for backing vocals and reggae rhythm guitar; you can hear his guitar in the right channel on your stereo. What’s never mentioned is the fact that this is the ONLY time John Lennon performed “Lucy” live in any capacity. The Muscle Shoals Horns blowing in the chorus add an extra zest to the live version.

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Finally John announces “a number from an old estranged fiancée of mine called Paul”, the first and only time he sang “I Saw Her Standing There”, as it was always Paul’s vocal. With Elton’s band behind him, John gives a roaring performance, vastly superior to the pussified version that Tiffany foisted on us in 1988. Really, how DARE she emasculate a Beatles classic that way? There were tears all around, and Elton allowed the pandemonium to go on and on, even though he still had 40 minutes left to go in his concert.

That was John’s last glory moment on a live stage, almost the last anyone would hear of him for five years. The times we would have with him during his brief comeback season in 1980 would be too tragically short.

 

Available on: “I Saw Her Standing There”, released as the B-side to Elton John’s single “Philadelphia Freedom”, MCA 40364, released February 24, 1975.

The entire set with both Johns appeared on the complete 2-CD reissue of Elton’s 1976 live album, Here and There (1996 Rocket)

Links:

John Lennon joins Elton John onstage at Madison Square Garden, New York

https://ultimateclassicrock.com/john-lennon-last-concert/