Response to Rick Wiles: ‘we will impose christian rule’

Christian TV Host Rick Wiles: We Will Impose Christian Rule In This Country

I hate to break this to you, Ricky, but, uh…your religion, Christianity? It’s kind of based on Judaism. Every bit of it. The Ten Commandments, Genesis, Noah and the Ark, Isaiah, Jonah, Moses? ALL JUDAIC FOLKLORE. Oh, and Jesus? Yep. He was a Jew. I’m afraid you’ll have to blame the Romans for slapping the ‘Christian’ label on us; our ancestors didn’t pick it, we just decided to own it.

Force me to become Christian? Heh. You have no idea what a Christian is. You and your rabid viewers have no concept of the most basic Christian concepts. You shame us with your bile and your bigotry and your basic stupidity.

Plainly you don’t understand the least thing about Americans. We’re stubborn cusses. You don’t get to ‘force’ anything on any of us. Try and push us to do something; I promise you, we will shove you back and shove you on your ass.

Also, just one more question? Before you stick your foot any deeper down your gullet, exactly WHICH version of Christianity did you mean? My home town’s phone book last year had 20 PAGES or more of listings for churches. Which denomination did you intend to impose on us?

Y’know what, just stop. You’re making this too easy. It’s because of sacrilegious gits like you that I’m no longer among the converted. My eyes are open and my mind is unchained.

Golden Messiah for the ’90’s

Warlock 1-4 (Vol. 2) 1998 Tom Lyle script & pencils

All characters & art, @ Marvel Comics

I usually expect more of this character, this series. I suppose you can’t expect Jim Starlin to script all of Adam Warlock’s adventures, but the depth of characterization, the strange worlds he’d encountered on his watch is sorely missed here.

I suppose my greatest disappointment with this miniseries was with Adam himself; he was always a calm man, rational yet passionate, plagued by the consequences of his actions and the harm this brought to his allies. Here Adam is on an emotional roller-coaster since recovering his Soul Gem [again]. At times he’s his old rational self, at others a screaming memmie that would be perfectly at home in any ’90’s comic. Saddling Adam Warlock with a temper tantrum syndrome somehow renders him…ordinary. A quirk that could apply to this miniseries in particular.

Bringing me to Plot Failure #1. It has been re-iterated time and again that Adam Warlock would die without the Soul Gem. But if past experience is anything to go on, that thing gets popped off his brow with alarming regularity. Recall that the High Evolutionary just handed it to Adam in Marvel Premiere # 1 in 1972, which raises the question of where HE got his frisky paws on it. [That business where a sacrifice is required to acquire the Stone, by the way, insofar as I know is purely an adaptation for the movies.]

Warlock 1998 syphonn #3The villain for the day is Syphonn, another overlord from the anti-matter universe of the Negative Zone. He is a being gifted with an impractical tentacly suit, whose motives…yeah well, we never get to hear his backstory, so we have to take it at his word that he has a good reason for wanting to destroy the positive universe–our universe. There’s no rhythm or reason for his actions. He’s a bit like Maxwell Smart’s Siegfried: “It’s like this, Mr. Smart. There are goot guys unt there are bad guys, unt I am a bad guy.” Indeed he is a being so all powerful, so full of awe-inspiring mojo…that we never hear from him again.

His overly elaborate plan is to raise the dead body of Captain Marvel so that he may bring his Nega-bands to Drax the Destroyer. Drax’s living body will then be a conduit to open a portal from our universe to the Negative Zone. The energies released in the destruction of our cosmos would funnel to something called a Conqueror’s Wheel, which theoretically would be used to turn Syphonn into a god.

Warlock 1998 1 dead CM syphonnw4

For reasons unknown this involves Mar-Vell’s corpse committing five murders across the galaxy, including that of Mar-Vell’s grieving widow Elysius at his gravesite on Titan. Each murder leaves a distinct calling card, a staff adorned with a craved head of Drax. Which brings us to the 2nd Plot Lapse: surely a plan like this would best succeed if the guilty parties did not go out of their way to attract attention to themselves–not to mention the vengeful wrath of not one but TWO protagonists, Adam Warlock and Mar-Vell’s grieving son Genis-Vell.

This also leads me to question Adam’s state of mind. He knows Drax; he called him to bear the Power Stone in the Infinity Watch. After all their dealings together, you would think he could take a moment to consider whether Drax was the object of an elaborate frame-up, instead of rushing to judgment like a damn fool human.

Familiar faces abound. Pip the Troll at least is practically writer-proof; it’s very hard to get his character wrong. Drax the Destroyer is along as well, first as the falsely accused and then as a tool. The son of deceased Kree warrior Mar-Vell, Genis, is not ready to step up as the new Captain Marvel. At this point he’s still a whiney ’90’s brat.

Gamora has very little to do here besides kick random thugs and intergalactic policemen’s fannies, and to pine over her unrequited love for Adam. To Gamora’s question, “Why did you even ask us along to “help”?”, Adam brusquely replies, “I’ve wondered that many times recently myself!” Traditional Negative Zone baddies Blastaar and Annihilus barely rise above the level of cyphers. All they contribute to the master plan is to bluster and get their asses handed to them by Drax and Genis.

Warlock 1998 4 endgame

Syphonn undoes his own scheme first by unintentionally blasting his own Conqueror’s Wheel; and second by foolishly engaging Adam after he goads Syphonn into using the Soul Gem against him, a plan that backfires predictably. If the moral of this series was that anger is self-destructive and counterproductive to one’s own ends, it demonstrated that point admirably. If the intention was to showcase the outlandish adventures of a cosmic entity from beyond the stars, this was a lackluster showing.

http://marvelite.prohosting.com/surfer/reviews/warlock1.html

 

 

A lifelong resident of the Pacific Northwest, Michael Robbins has been the author and a contributor to six books. BUTTERFLY & SERPENT, the first book in a series, was published in 2012. Mike takes pride in being part of the American labor force for over 40 years. In his prose he strives for unity, not division; humor over prejudice; and heart over heartlessness. His art page can be found at Deviantart.com

His latest book, FATHERS AND DAUGHTERS, is available at amazon.com.

f & d cover

Mike’s Amazon page:

https://www.amazon.com/Mr.-Michael-Robbins/e/B00CMHSMYA

Sudan. Darfur worried about new power — Archy Worldys

One week after the dismissal of Omar Al Bashir, the Sudanese people are still gaining ground. The army allegedly gave in to the street yesterday by transferring the former dictator to the infamous Kober prison in northern Khartoum. Ironically, it is in the sinister jails of this penitentiary that the old regime used to imprison […]

via Sudan. Darfur worried about new power — Archy Worldys

Golden Messiah: Jim Starlin steps in

Strange Tales #178-181, Warlock #9-11 (1975-1976)

You know your life has got to be pretty f—ed when the one who has to give you a pep talk is the Mad Titan Thanos. I have never met a hero so plagued with self-doubt as Adam Warlock. The depths of his self-recriminations exceed even those of Peter Parker, who honestly has better grounds for self-loathing. Besides which, the man has also died and been reborn more times than a Star Trek character.

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It was through the pages of Warlock that we all first encountered the Most Dangerous Woman in the Galaxy, Gamora, daughter of Thanos, before she was a Guardian of the Galaxy or a member of the infinity Watch. I hadn’t realized this until I reviewed my collection. Warlock no. 15 would also be the first time Gamora met Drax the Destroyer–that is, the time that Drax in his rage flew right into her ship and blew it to smithereens. I showed that page to my wife and son, and they reacted the same way: “Damn! Drax has no chill!”

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warlock15_14b

Writer Roy Thomas and artist Gil Kane had repositioned Warlock as a Savior in his original comic book run. Jim Starlin was another kettle of fish. Sorting through story possibilities in the mid-1970’s, he became intrigued by the character of Adam Warlock. He would guide the strip through its second phase as both artist and scripter, while upending Adam’s role from Messiah into that of the Devil. Oh, he also gave him that funky cape.

Strange Tales V1 #178 (1975_2) - Page 17

Starlin presented a cosmos as psychedelic as the times in which they were published, his ideas broad-ranging while sprinkled with a subtle, warped sense of humor. Some of my favorite stories were penned and inked by Jim Starlin. It was he who introduced Thanos in Iron Man no. 55 in 1972, and transformed a mediocre Captain Marvel into a cosmically aware champion in Captain Marvel no. 29, 1973. The science may be exaggerated, off-kilter, but wasn’t that always the fun in old comic books? As I re-read his old tales, I’ve come to think of him as the Master of Exposition. Starlin can devote an entire two page spread to recaps and backdrop information dumps on all the evil-doings, in a way that’s both entertaining and vital to the tales unfolding.

There have been many blogs about the Magus Cycle already, so I’ll dispense with another in-depth analysis. But let me summarize; an unknown woman summons Adam Warlock. She dies needlessly at the hands of agents of the Church of Universal Truth, which forces him to use his Soul Gem to resurrect her soulless body and interrogate her. The enemy as they say in the old Pogo comic was ourselves. The all-powerful being Adam must defeat is called the Magus–Latin for wise man, magician, or Warlock. The enemy in fact is his own twisted future self. Every action he takes against the Magus, every step forward only seems to lead Adam down the dark path to his evil future.

He is joined in his quest by the ne’er do well troll Pip and, at Thanos’s direction, by Gamora. Equally problematic is the Soul Gem which was given him by the High Evolutionary. In Thomas & Kane’s hands it was a useful tool; in Starlin’s it has become a malignant presence with a vampiric thirst for souls.

st # 179 d of autoclys

Perhaps reflecting his own personal turmoil after his service in the Navy during the Vietnam War, Starlin’s stories incorporate themes of suicide and self-destruction against an omnipresent congregation. While Thanos engages the Magus, Warlock leaps into his own timeline and erases the path that leads to the Magus, but with that bargain seals his own death in two years’ time. Despite the fact that yes he was absolutely, utterly and definitively erased from history, well, the Magus will be back in one form or another. ‘Cos that’s what Starlin does, what any author does when you think about it–he always comes back to the characters he loves.

http://diversionsofthegroovykind.blogspot.com/2012/02/making-splash-jim-starlins-warlock.html

https://www.vulture.com/2019/04/jim-starlin-creator-of-infinity-war-thanos-hates-marvel.html

https://www.blackgate.com/2015/04/11/the-three-phases-of-marvels-adam-warlock-part-two-the-magus-saga/

Interview Extract

Jamai Independent Woman Metoo GIF-downsized_large

BLOG–You’ve consistently refused being termed a ‘mutant’, ‘psychic’, ‘medium’ et al. May I ask why?

JAMAI–Because they’re just labels. They’re another way of saying ‘you’re a freak, you don’t belong.’

B–I take it you’re not fond of labels.

J–I despise them. It’s just another way of dividing people, of keeping them down. Listen, my husband’s uncle once told me that words have a profound effect on our social relations. When I was young I was stupid enough to let myself be blinkered by these insults.

B–I’d never call you stupid.

J–Appreciated. I’ll give you an example of what I mean from your own day and age. The great Miles Davis was invited to participate in a charity record–“Sun City”, and the umbrella title for the group was Artists United Against Apartheid. The project was spearheaded by Steven Van Zandt. Miles’ part was to be edited into a jazz track, but at some point in his performance, Miles started muttering, “you can’t go in there, you’re the wrong color.”

B–“The Struggle Continues,” that was the track.

J–Good. There’s hope for you yet. Well, Miles’ rap was entirely spontaneous, but so truthful, that they built that whole track around it.

B–I guess what you’re saying is today, right now, you’re comfortable with who you are?

J–Why shouldn’t I be? I tried to fit in, to be like ‘everybody else’. But the truth is, people or bosses or your leaders will never be satisfied no matter how much you try to fit in. Why should I change to satisfy them? Why make myself uncomfortable with myself? I’m a person and I’m different. So what? I don’t have to prove anything to anyone but myself. And neither do you. If who you are isn’t good enough form “them”, whoever “they” are, they can get stuffed!

(shared laughter)

FATHERS & DAUGHTERS, the second book in the BUTTERFLY & SERPENT book series, is now out on http://www.amazon.com as a paperback & Kindle.

B & S new cover      f & d cover

file-20180426-175077-1jnckp1One may have noticed my mind has been on apartheid in recent blogs. One might wonder why I’m spending so much time reflecting on a regime that’s quite clearly gone. Primarily I suppose it’s because it’s an object lesson. Change is possible when the People are so fired up that the politicians have no choice, literally none, but to do the right thing.

Honestly I never expected there would be a peaceful transition in South Africa. After five decades of oppression and resistance, I fully expected apartheid could only end in civil war, and I’m probably not the only person to think so. This is one instance where I’m glad to have been proven absolutely conclusively wrong.

But there is a better reason for me to focus on that particular dead issue. Apartheid by another name was a very real institution in post-Civil War America. We know it here as Jim Crow but it was the same thing, the exact same thing. Segregation was imposed by law across the Southern United States and sanctioned by foul Supreme Court decisions to as Plessy v. Ferguson (1896). Lynchings were a shameful legacy of those hundred years before Martin Luther King Jr. and the entire Civil rights movement stood up and said “That’s enough. We’ve waited for our rights long enough. We’ve waited for you to respect our dignity long enough.”

039why-did-they-hate-us039-explaining-the-new-lynching-memorial-to-my-sons-featured-photoWe are facing a moral crisis whereby the Trump administration is bound and determined to wind the clock back to the 19th Century, some never-never land of white rule that doesn’t deserve to exist. Plainly with the present conservative majority on the Supreme Court we can’t count on either their good will or their good sense for the next couple of generations.

This is a time we have to stand, not just on the national stage but in our everyday life. Its tie to put aside all labels–male, female, LGBT, black and white–and treat everyone exactly the way you’d expect to be treated, with respect, dignity and plain ol’ common courtesy. Maybe it’s naïve to dream of this but what the hell, till something better comes along I’m happy to be naïve.