Not All Viewpoints Are Welcome-1

[Note: this is the first chapter of a serialized project I’ll be working on periodically. I don’t know how long it’s going to take, and I’m not sold on the title. If anyone reading this would like to comment, those are welcome. I’d enjoy the feedback. So, on with the show…]

ONE:

“And that’s how we discovered these rocks were only the tip of a much larger organism.” Lianna Jensen punctuated that remark with a last swirl of chalk on the old-fashioned blackboard. It was quaint, of course, but it required no energy to function, and on a station on the far reaches of the Sol system, power came at a premium. Besides, it’s easy to clean.

“Subsequent probes have confirmed these early findings with the loss of but one probe.” Muted clapping echoed through the auditorium. It’s okay, Lianna reminded herself, forcing her legs not to tremble. It’s only a 200-seat venue, about half full. A handful of children were scattered among the red velvet seats, and they clapped the loudest.

The lavender skinsuit under her knee-length laboratory coat insulated Lianna from the station’s chill while absorbing every drop of perspiration, keeping her cool and cozy inside. Her shoulder length honey-blonde hair she’d tucked up in a bun in back. The reading glasses were an affectation suggested by the professor to soften her appearance before an audience probably as uncertain about her presentation as she was.

The station Commander stepped in from the auditorium’s left wing as the clapping ended. “I want to thank Dr. Jensen for this fascinating symposium on her recent discoveries of exobiological life. She’ll be back tomorrow, so bring your friends.”

The room responded by not responding. At all. They stood awkwardly on the stage a moment before the commander pressed on. “We’ll now open the floor for questions. Good luck, kid,” she muttered to Lianna as she left the stage.

A hand shot up, belonging to a little brunette girl, about six. “Were you scared when that monster grabbed you?”

Lianna smiled and knelt on the edge of the stage, almost nose to nose with her. “Yeah, I was scared shi—silly.” (Stop. Remember your audience.) “But I had an emergency transponder I could have used if things really got bad.” She ruffled her hair, which earned her a giggle. “Thanks, sweetheart.”

The girl grinned and bounced back to her seat. “Yes, sir, in the back.”

A skinny fellow with a buzzcut scalp stood up. “Yes, I got a question. What kind of sexual relations did you have with that alien slug?”

Fuck. Not another one of those. She dug deeper to draw in a calming breath, this time. Some of the other patrons shuffled in their seats, waiting on her. Her heart hammered faster, despite her outer calm. “Sir, that is an inappropriate remark,” the commander shouted, stepping forward. “Especially when we have young people with us today.”

“Come on, commander, everybody knows Dr. Jensen shags every odd ball freak she discovers. It’s the talk of every space port. Who knows how much alien trash she’s birthed across half the galaxy?”

Okay, Lianna lied. I’m ready. “Sir, my purpose is interstellar exploration on behalf of the Deep Space Observatory. The liaisons you’ve heard about are innuendo and fetishist dream logs. Considering our disparate biologies, I doubt anything would come of it if I—”

“So you are shagging aliens!”

“That’s not what happened! If you’d been listening you’d recall I almost died—”

“Excuse me. I have a question.”

That came from the back. Lianna couldn’t see who was speaking, except that she was tall and had a gorgeous black mane. Something in her exotic voice soothed her. “Yes, ma’am, what was your question?”

“This is directed at the toubab running off at the mouth. Why don’t you sit down and shut up? Some of us came to listen to what Dr. Jensen has to say!”

Lianna teared up at the round of applause that followed. She didn’t know how long it went on for, except that Buzzcut scowled and slunk out of the auditorium with his head down.

Thank Kali the commander called an end to the presentation for the day. While Lianna packed her props in a satchel and wiped the board, the people filed out a little at a time. She glanced once or twice toward the seats, expecting someone else to accost her. But no one else had stayed behind. Good. She’d had enough harassment for one day.

“You gonna be okay?” the commander asked. Lianna nodded. “I can assign a security detail to take you back to your ship.” She shook her head. “Okay. If you need anything…” and then she was gone.

The Professor and his bright ideas. After ten years alone in space he says, “I think now might be a good time to take stock of your accomplishments. Present your findings in a public setting. I have some friends at Uranus Orbital station who could set you up. No, it’ll be good for you, my dear. It’ll be a chance for you to brush up on your social skills. You know, you don’t interact with people very much. It’s my fault, you did grow up with a bunch of stuffy old scientists all around you.”

There was a reason for that. She was a bit of an animal once they took her off the Naga Sentry, her and all the other children left to fend for themselves for seven frustrating months. Who tells those stories anyway? Even if it was true that every spacefarer in every port thought she was some kind of—

No, the professor was right; he had to be. It’s just those fundamentalist Terran freaks at her last two symposiums questioning her morality. Maybe if there hadn’t been a smidgen of truth to their accusations…Sure. Me spread my alien seed around the solar system. Not much chance of that.

Lianna emptied her chest, breathed in a shallow breath. She’d been so lost in thought she hadn’t realized she’d arrived at the infirmary ahead of schedule. The Medibot floated to greet her before she could turn and leave.

“Doctor!” The ‘bot greeted her. Lianna sighed and sat on the stool indicated by her host. The cushion poofed under her bum, which was more comfortable than expected. Then the ‘bot addressed the door. “Consulting!”

The two-toned panels irised shut, presenting a façade of an inverse ying and yang in crimson and yellow. Lianna was grateful all the same. In this mode the infirmary stood isolated from the rest of the station. No one could barge in uninvited.

“Your lab work has all returned negative. You’re in relatively good health. However,” the ‘bot continued before she could push off and leave. “Your physical health is not the only issue. Your esophagus shows signs of forced intubation, which exerted pressure on your trachea. This trauma appears several years old. Some brain deterioration has resulted, not to the point where it can be an issue, but it does suggest your activities frequently entail unnecessary risks.”

“I, umm, I suppose that’s true,” Lianna nodded, staring at her feet. “Would you believe you’re not the first to point that out?”

“Yes. Insofar as the other matter we discussed…” Wait, was he pausing? “I’m sorry, Doctor. Our labs are consistent with the tests every other facility has conducted. There is no treatment for yourself or any of the Lost Children.”

“It’s okay. A girl could hope.”

“There is one last thing, a curious anomaly we detected in your muscle, epidermal…everywhere. There is a suffusion of cytoplasm, which appears to have bonded to your soft tissues.”

“I can explain,” Lianna said. “I…this goes back to that trauma you mentioned. I suffered some life-threatening injuries. You know about my shipmates?…Okay. Well, one of them donated a part of herself to heal me. I hadn’t realized how much she’d become a part of me, literally. You understand why I have issues with human relations.”

“Yes. I shouldn’t be telling you this,” the medic said, “but you’re not alone in this variety of relationship. There is a captain in the Antarian fleet who has had carnal relations with an Undian, also a amoeboid female. They argue, they disagree, but my sources tell me, by the end of a projected shift they are the best of friends. “

“I had no idea,” Lianna conceded. “So how come I’m getting all the harassment?”

“I’ve cited only one example. And subjectively speaking, while Antarians are a humanoid species, they are not considered human. So perhaps such human prejudices are not applied as liberally to them.”         

“Yeah, and besides, who wants to fuck with an Antarian?”

Before she returned to the ship, there was one last ritual. It’d become a habit, as with so many visitors, to pop by the Portal. Officially its designation was UA-1A7, but visitors and crew referred to it by its vernacular name.

The station was based on one of the inner moons orbiting Uranus. The slush giant’s dusty rings glimmered from the energetic bursts periodically shot from the station’s polar beacon lights, more for its visitor’s amusement than any practical purpose.

Not all the Classic Moons were visible; in fact, the only reason the pole facing her was visible at all was due to the viewport’s scanner being set 27 settings below true visibility. Otherwise, the extreme closeup given of the rapid rotation of Uranus’ cloud layers would leave all and sundry in a perpetual state of nausea. There’s still plenty of moons to go around, well past the first twenty-seven discovered up to the early 21st Century.

The usual mob awaited in the docking bay, a conglomeration of middle-aged men and women, some young adults, all shuffling loosely around the air lock leading to her ship. Some lofted signs such as ‘You Must Have F.A.I.T.H.’ Exactly like that. All eyes focused on her as they parted like the Red Sea, but at least no one accosted her.

At least until that rotten egg splattered her cheek.

Lianna whirled to the sea of faces, but most of them seemed as surprised as her. Others gazed around themselves to see who’d done the deed. She wanted to shout, “All right, who’s responsible for this?”

She fought that instinct, as the Professor had taught her to, and put her back to them, standing as rigid as possible. Then she continued at a measured pace toward the air lock. Any moment now she expected a fusillade of rotten fruit. Everyone seemed to be holding their breath. Without a word, against the heat rising in her chest, she entered her ship’s code for the hatch. With a hiss and the crank of metal, the hatch admitted her, Once that closed behind her, she exhaled.

After ten years in space, you’d think I’d have accumulated more mementos, Lianna thought. Apart from an orchid taken from Orchis 3, some dirty dishes on the pilot console, and an old portrait of her at seven, riding Ernie, the flight deck was relatively spartan. For now, her android companion Ernie detached himself from the charging port just off the docking hatch. She rushed to him and swept her arms around him—well, halfway around, anyway.

He offered the customary hug back with his stiff metal-barred arms. “Welcome home, miss Lianna,” he said, approximating a human voice. “I’m sorry the reception was not what you expected.” He raised a sani-wipe to her cheek and gently scrubbed it.

She clucked as she stepped down from his base. “If they only knew what I was holding back! Then they’d really shit bricks.”

“An interesting metaphor,” Ernie said, handing her a slate. “Which emotionally appropriate. The inspection was conducted in your absence. The ship passed magnificently, as always.”

She scanned the report almost as fast as Ernie would have memorized it. “That’s a bit of embellishment, isn’t it?”

“Informality suits you. I thought I’d practice.”

She tapped his shoulder socket with the slate before tossing it onto the pile of dishes. “I’m kinda tired. Are the girls asleep?”

“DO they sleep? I was told you may expect them in cargo lounge 2. Will you be changing first?”

She’d started to shrug off her lab coat, fingered the broad, important looking lapels, then slipped it back onto her shoulders. The molecular recyclers could always regurgitate another. Shaking her head, she trudged to the spiral step ladder and descended to the cargo deck.

It’d be inaccurate to call a converted cargo hold a ‘lounge’ but after her GFs had signed on, so to speak, she and Ernie converted a couple of spare cells into passable living quarters.

Oddly a red light shone down from the domed ceiling. And was it me, or did the walls seem—bloated? Sweet Kali–!

As soon as she realized the trap, Lianna smiled. It was already too late to retreat. A crimson tendril flopped against the sensor panel. The cargo door sealed shut with a prolonged squeal, meaning the air lock seals had engaged. She wasn’t going anywhere.

An amorphous pillar pushed between her thighs, and then her feet left the deck. She pointed her toes down, encountering only air. Half a meter of space separated the top of her head from the ceiling. The tip of the column expanded to cushion her bum.

The ‘bulge’ in both hulls oozed down, two semi-solid masses of aquamarine goo thick as honey, sandwiching Lianna between them. Engulfed to the shoulders, she moaned as both lab coat and the skin suit beneath it dissolved in a matter of minutes. Lianna surrendered to the pressure against her chest, the brush of rubbery textured membranes clinging to every bit of her bare skin.

Up until a few months ago, she hadn’t believed they were capable of dissolving her garments without harm to her. Maybe that was a choice on their part. Didn’t matter. She was safe with the only pair who really cared for her.

The red light suffusing the lounge initially obscured their translucent forms matted to the actual hull. Now their bodies molded to her in streams of ameboid tentacles. A crimson tongue peeled from the column between her legs. The tongue swelled, taking the form of a matted head nestled to her breast. Another pair of tongues, a translucent shade of jade this time, flexed into a powerful set of biceps, each tip extruding slender fingers. These arms clutched Lianna by the throat. Then she felt the weight of Amba’s head on the back of hers.

The scent of caramel marshmallow wafted up her nostrils, and she drank it in, as they drank her. She’d discovered them on different worlds but in similar habitats, both inhospitable to humanoid life. Each of them, Stavros and Amba, were actual detachments of a larger cellular body, inhabiting caverns deep within their respective planet’s crusts. She’d come to believe such celluloid colonies inhabited a variety of worlds, either unrecognized or undiscovered by previous explorers. She’d just been the lucky one they chose to reveal themselves to.

A loud hiss issued from the quivering mass as Lianna tugged her hands free of the gelatinous goo, to clutch the loving arms around her neck. A voice, half mocking, echoed in Lianna’s thoughts: welcome, beloved.

Lianna nodded, already half asleep. Stavros was nestling her red cheeks between Lianna’s breasts, silent as always and yet gently affectionate. She would float here all night, vulnerable and yet comforted in their gelling caress. “Hey, gals,” Lianna sighed as she slipped into dreamland, “is there something wrong with me?”

Normally the first thing Lianna noticed coming backstage of the auditorium hall was the overpowering reek of sterilized lilac, the residue of the cleanser sprayed over the hall after each day’s events. Even from the corridor outside the backstage door the scent seemed off today.

Lianna strode onto a stage facing empty seating. Her presentation wasn’t scheduled to begin until 9 a.m. station time, which was synched with Terran Greenwich time. As she turned to the display board, she almost fell on her behind. This was no longer a scent. It had been upgraded to a full-blown stench of burnt polymers with a strong undercurrent of mercury.

The blackboard had been defaced with several impact strikes, probably from a common prybar, with icicles radiating out from each strike. Dead center, carved into the board’s surface with a hot plasma torch, perhaps, in bold caps stood out one word: WHORE.

Lianna stared at that, just stared, her thoughts clouded. She stumbled back a couple of steps, back, into the soft touch at the back of her thigh.

She whirled, too quickly. Her feet slipped. A sharp sudden shock rocked her as her head banged into the blackboard. Her mind swirled as her stomach spat acid up her windpipe. Then a little dark-haired girl blinked back at her.

“Oh. Hi, there,” Lianna said, once her stomach settled. The child had waited patiently. Gods, she was gorgeous, her skin a beautiful shade of brown. ”Where did you come from?”

As though forgetting herself, the little one pulled a child-sized slate from the pouch slung over her right shoulder. She shrugged off the pouch, and after a few rapid taps, passed the slate to Lianna.

‘My name is Gita. I’ve been sent to offer you greetings from Patala.’

Lianna wet her lips, working the name over on her tongue, Patala which lay on another dimension plane, parallel to Terra, home to beings…”Hey, are you lost, sweetheart?’

She offered to pass back the slate, but no need. Gita’s fingers danced in a series of signs. “It is your time? I don’t understand. I mean I can see you’re of age, but what…?”

Lianna’s mouth started to drop. Gita grinned, taking the slate back now and tapping furiously. The slate erupted in a fanfare of trumpets before Gita handed it back.

It read, ‘My beautiful daughter Lianna, daughter of my spirit, I have sent you my birth daughter Gita. This is the Time when all Devis must go forth to explore the mortal realm. I commend her to you and designate you Guardian.’

“She wants me…?” Lianna squeaked. That was all she got out before she noticed Gita rising. She stared as Gita’s half-sari flopped to her waist, effectively hiding where creamy brown skin seamlessly blended into scales.

It wasn’t a very thick trunk, as befit her youth, no thicker than Lianna’s calves. Still it held a gorgeous sheen, forest green splattered with mottled patches. She kept rising until she swayed a meter above Lianna. The stage lights cast an iridescent halo around her dark raven hair.

Lianna couldn’t remember the last time she’d cried; maybe it was the night when both her parents died. The tears flowed freely now. “Oh my gods, “she whispered. “You’re beautiful.”

Her arms opened, and Gita settled her head to Lianna’s cheek. Her coils folded into Lianna’s lap as she held onto Gita oh so gently. The child cooed, breathing warmly on Lianna’s neck in their shared embrace, neither aware of their being watched…

–Image of Uranus & its rings courtesy of NASA & the James Webb Space Telescope, 2023

John plays “Jealous Guy” to a lost Japanese couple

There are a couple of eyewitness versions to this story, a little-known incident that took place in Japan during John Lennon’s years as a homebody. Clearly neither he nor Yoko were entirely housebound in those five years. They were out and about, just not making records at that point. I’ll try to present the version I like best. In all the nine years since he first conceived this song in Rishikesh, India, John had never played it live. And the one time he did, it was to an unwitting audience.

After winning his appeal to stay in the United States, John & Yoko visited Japan at least three times before his passing, beginning with a 1977 trip that lasted from May to October of that year. Yoko’s parents were upper class people who had a summer home in Karuizawa in Nagano Prefecture. During a stay at Tokyo’s Okura Hotel in 1977, while Yoko was visiting her family, John and his friend Elliot Mintz were lounging around in the presidential suite when an elderly couple evidently took the elevator to the wrong floor.

This couple has never been identified as anything other than an ‘elderly couple’. I’d love to know who they were, although at this point, only their relatives would know for sure.   They wandered in and sat down, apparently thinking they were in a lounge bar. John found this entertaining and as Mintz related, he began to play “Jealous Guy” on his acoustic guitar.

The couple sat and listened for a few minutes before walking back to the elevator and going, which left John and Mintz in fits of laughter. “It was the only time I think he ever performed for a party of two,” Mintz wrote. “They did not leave a tip.”

https://www.nippon.com/en/japan-topics/g00979/

Karuizawa, Japan: In the Footsteps of John Lennon

John & Yoko in Japan, c. 1971
John Lennon in an electronica shop, c. 1979

A History of David Frost and John Lennon, 1967-1972

-The Frost Programme, Sept. 29 & Oct. 4, 1967

Frost on Saturday, Aug. 24, 1968, repeated on The Best of Frost, May 18, 1969

The David Frost Show, June 10, 1969/ July 10, 1969 & Dec. 16, 1971/ Jan. 13, 1972

As a talk show host David Frost was not a flamboyant fellow, but he was intuitive and could tease your dirty secrets out without making you uncomfortable. That’s probably what made his interviews with Richard Nixon so effective. While his name is intimately associated with the Beatles, as a band they put in an appearance on only one occasion. That would be for the world premiere of the extraordinary promotional clip for “Hey Jude” on Frost on Sunday on September 8, 1968. In order to maintain the illusion of a live appearance, Frost taped some clips at Twickenham Film Studios where he seemingly introduces the band.

By this time Paul McCartney had already made three appearances on one iteration or more of the Frost Show, the first as far back as April 1964, while they were neck deep in the filming of their first film, A Hard Day’s Night. Ringo showed up twice in 1969 & 1970; George Harrison appeared once in 1971 alongside Ravi Shankar, while he & John had expounded on Transcendental Meditation on two episodes back in 1967.

GEORGE: Your actions – whatever they are – are your actions. It’s all about your attitude toward other people. If you treat them good, they’ll do the same; if you hit them in the face, they’ll probably do the same thing. And that’s not much to do with religion. Action and reaction, that’s the thing Christ was saying. Whatever you do, you get it back.

JOHN: It’s the same in the whole universe, in all religions. It’s just opening your mind to see that. Buddha was groovy, you know. And Jesus was all right. It’s exactly the same thing.

https://tmhome.com/experiences/interview-lennon-and-harrison-on-meditation/

John & Yoko made their first appearance as a couple one month after the premiere of “Hey Jude”, on the fourth edition of the latest iteration, Frost on Saturday on August 24, 1968, recorded live from Wembley Studios on London Weekend Television. while he was still a Beatle. The other guests included singer Blossom Dearie and satirist Stan Freberg. This interview took place two days after Ringo had left the group, during the sessions for The White Album; in fact it was also the day after the group had carried on and recorded all of “Back in the USSR”, without Ringo.

On this occasion the couple arrived in black clothes with small white badges on their lapels. They discussed their art project “You Are Here’, basically an unfinished art piece that invited people to participate.

Yoko Ono: “Usually people think in vicarious terms, they think ‘Somebody’s there,’ ‘John Lennon’s there,’ or somebody. But it’s not that. YOU are the one who’s here, and so in art, usually art gives something that’s an object and says ‘This is art,’ you know, but instead of that, art exists in people. It’s people’s art, and so we don’t believe in just making something and completing it and giving it to people, we like people to participate. All the pieces are unfinished and they have to be finished by people.”

Further on John elaborated, “The thing is, there’s no such thing as sculpture or art or anything, it’s just a bit of – it’s just words, you know, and actually saying everything is art. We’re all art, art is just a tag, like a journalist’s tag, but artists believe it. But sculpture is anything you care to name. This is sculpture: us sitting here, this is a happening, we are here, this is art, but yeah, if you gave that to a child, he wouldn’t have any preconceived ideas, so you wouldn’t have to say ‘This is sculpture’ or ‘This is a broken cup’, you’d say ‘There’s that – there’s glue, what do you do? You stick it together’.”

 Other examples were Hammer a Nail In. Frost didn’t always get it when they talked about ‘vibrations’ or art in general, which was probably where most proper people were at in 1968. As someone with an odd imagination I found John’s comments on art insightful, and his sense of humor was as joyful to experience as ever. He was intuitive enough to connect his piece to the first time John met Yoko at the Indica Gallery in 1966, this may be the first time John told the story of how he met Yoko to an audience and how they connected over art.

Frost: I know this is a terrible condemnation of you, but I just felt like a man hammering in a nail.

Lennon: Winner! I felt like one hammering it in on TV.

 Frost: Well in fact, because this is interesting, the thing with the nails for instance, it was banging the nail in – that the two of you found that you agreed on art and so on.

They also had a long discussion of their film “Smile”, wherein John just stares into the camera. When three minutes get stretched into one hour, one can see how much the facial expression changes.

Ono: Well, we’re not trying to explain, John. We’re just trying to communicate. And communication itself is art and art is communication. And so that, erm, people are getting so intelligent that you don’t have to explain too much, all you have to do is just touch each other, just shake hands, and so this is a way of touching each other.


 Interestingly, as the credits roll “Hey Jude” is playing. John joins into the coda and encourages the audience to join in as the episode ends. The interview was so intriguing it was repeated on a highlights series, The Best of Frost, which was transmitted in some regions by LWT on late night Sunday, May 18, 1969.

Link: Beatles Bible,

https://dangerousminds.net/comments/john_yoko_discussing_art_on_david_frosts_show_1968

By this time Frost had become a host of some repute. In 1969 he launched a weekly TV series in the United States, The David Frost Show, produced for the Westinghouse group for syndication. This involved Frost flying back and forth across the Atlantic every week holding down this series as well as his LWT series in England. On June 14 John & Yoko filmed a pre-taped sequence for the July 10, 1969 segment at Stonebridge Park Studios, where the previous December they’d participated in the Rolling Stones’ Rock & Roll Circus. Other guests included actors John Cassavetes, Peter Falk, Ben Gazzara & Julie London.

Lennon: What’s Bagism? It’s like a tag for what we all do, we’re all in a bag, you know, and we realized that we came from two bags – I was in this pop bag going round and round in my little clique and she was in her little avant-garde clique going round and round and you’re in your little tele clique and they’re in their…you know? And we all sort of come out and look at each other every now and then, but we don’t communicate. We all intellectualize about how there is no barrier between art, music, poetry… but we’re still all – ‘I’m a rock and roller’, ‘He’s a poet’. So we just came up with the word so you would ask us what bagism is – And we’d say we’re all in a bag, baby!

John’s first act was to throw acorns into the audience, calling them “acorns for peace”. John came in full Gandalf mustache & beard, and a blindingly white suit; Yoko was still in black. They came to discuss their peace campaign and bagism. John also held up a copy of Unfinished Music 2: Life With the Lions, playing snippets from ‘Cambridge 1968″ & “No Bed for Beatle John”. Yoko gave Frost a ‘box of smiles’; when he opened it he found a mirror inside that reflected back his own smile. Two Virgins was also discussed; Frost joked that the price tag had been placed in a ‘strategic place’.

Lennon: We’re trying to sell peace, like a product, you know, and sell it like people sell soap or soft drinks, you know, the only way to get people aware that peace is possible and – It isn’t just inevitable to have violence, not just war, all forms of violence. People just accept it and think ‘Oh, they did it’, or ‘Harold Wilson did it’ or ‘Nixon did it’, they’re always scapegoating people. It isn’t Nixon’s fault, we’re all responsible for everything that goes on, you know, we’re all responsible for Biafra and Hitler and everything. So we’re just saying ‘SELL PEACE’. Anybody interested in peace – just stick it in the window, it’s simple but it lets somebody else know that you want peace too, because you feel alone if you’re the only one thinking ‘Wouldn’t it be nice if there was peace and nobody was getting killed’. So advertise yourself that you’re for peace if you believe in it.

Links: https://www.beatlesbible.com/1969/06/14/television-john-lennon-yoko-ono-david-frost-show/

http://www.beatlelinks.net/forums/showthread.php?p=372840

John’s fifth & final appearance on a David Frost program was taped December 16, 1971 for later syndication, about a week after the Ann Arbor benefit for John Sinclair, & a day before his appearance at eh Apollo Theater. John is still in his black leather jacket. After Frost introduced John & Yoko he said we are in for a musical treat. They were joined onstage by David Peel & the Lower East Side for a rendering of Peel’s “The Ballad of New York City”, a simply folksy tune with John on a tea chest bass.

David Peel had served two years in the U.S. Army, around 1960. He was stationed in Alaska, which is kind of funny, because that was where my Dad served as a radio operator in the late 1950’s. John Lennon befriended Peel in 1971 when his band was performing in New York’s Washington Square Park in Greenwich Village. Peel had joined John & Yoko at the Ann Arbor benefit on December 10, 1971, and less than a week later, joined the pair again on this segment of The David Frost Show.

Both songs that Peel performed on this show would appear four months later on his third album, The Pope Smokes Dope (released April 17, 1972 on Apple Records). John produced the album as well as provided background vocals with Yoko Ono. The album managed to offend almost everybody, subsequently being banned in most of the world expect the United States, Canada & Japan.

This would be John’s first live appearance on U.S. TV as a solo artist. Joined by Yoko, Jerry Rubin & David Peel & company, he would perform “Attica State”, a bit of “Luck of the Irish” “Sisters, O Sisters” & “John Sinclair”, closing with Peel’s “The Hippie From New York City”.

Once more these were all acoustic performances. John & Yoko harmonized on “Attica State”. Yoko, in a green pullover sweater & blue jean, was multi-tasking, tapping a bongo while holding a lyrics sheet, which John refers back to. It was a problem he’d had in the Beatles too; he always had a hard time remembering the words to the songs he wrote himself. While he & the Lower East Side performed on the edge of the stage, a man in a red felt cowboy hat in the back was tossing paper airplanes over their heads.

After the song Frost invited members of the audience into a discussion about a fairer penal system. At one point a middle-aged couple questioned whether the Lennons were glorifying the prisoners in their song.

Yoko performed ‘Sisters, O Sisters”, then joined Frost for a multi-pointed discussion, including her struggle against discrimination of women, a realization that the public always listens to famous people, and the belief that communication is the key to peace. The pair then invited Chief Lion of the Onondaga tribe onstage for a discussion about plans for the New York State Department of Transportation to expand a highway through tribal land. A short film clip was shown with John & Yoko joining in the Onondaga protest.

Six days after their appearance at the Ann Arbor benefit, John & Yoko & the Lower East side performed “John Sinclair” in a more intimate setting. Yoko’s bongo was more perceptible, and John threw in a few variations to the tune: “Bring him home to his wife and kids/ We did!/ They gave him ten for two/ What else can the whole world do?/ Got to got to got to got…set him free/ Free!”

After the song, John talks about their part in the protest to free John Sinclair and their fight for peace. Finally, everyone stands as David Peel & the Lower East Side perform “The Hippie From New York City”, with John & Yoko standing in back. Again it is an acoustic version of a song about ‘a cockroach & Mayor Lindsey’ with bongos & flute.

Show would be broadcast a month later on January 13, 1972, on ABC-TV.

Links:  https://www.paleycenter.org/collection/item/?item=T:60182

David Peel died in a veteran’s hospital, April 6, 2017.

David Frost passed away on Saturday, August 31, 2013, at the ripe age of 74.

Available on: Seven surviving segments, including John & Yoko’s appearance from 1968, are included on a two-disc DVD set, Frost on Saturday (1968), released by Network, October 4, 2010. Sadly, this seems to only be available in Region 2, i.e., Europe, Japan & the Middle East. There may not be any official release of the Lennon’s other appearances on DVD.

Unofficially, there is at least one bootleg I’m aware of, now. John Lennon Live & Sessions 1971-1972, a two-CD program featuring rehearsals as well as the Tea for Two Rally, The Attica State benefit at the Apollo & all the songs from his last David Frost segment, taped on December 16, 1971, plus 0music from TV appearances on Aquarius & the Mike Douglas Show.

On a different bootleg, THE BEATLES: MOVIES AND MEDITATION 1967 VOL. 4, a 90 Mn. DVD. Among random Magical Mystery Tour home movies & How I Won the War premiere clips, there is also John & George’s two appearances on The Frost Programme on September 29 & October 4, 1967, although only the second program is presented complete.

RE: The Texas abortion fiasco & the Supreme Court

#TheDudeTrader1

I shared this tweet a few hours ago:

The most distress aspect of the abortion dispute, from the beginning, is that the onus is always on women. The rancor and punishments always directed at them and no responsibility attached to the male. Men have as much to do with pregnancy as women…

But no punishment is attached to their actions. Without their sperm, you wouldn’t have a baby, whether it was voluntary or forced on the woman. Oh heaven forbid we should ruin that boy’s future, he’s a good old boy, and she, oooo, she’s just a…oh please, let’s not.

None of the so called evangelicals seem to give a rat’s that a woman’s life might be ruined, or lost, because we know abortions are not going to stop. They’re just going to be rendered unsafe by a pack of odious, unfeeling justices pursuing their own agenda.

Make no mistake, no man is going to be charged, no billionaires will face consequences for taking part in impregnating a woman, which si another obscenity perpetrated by this generation of vipers.

I’d like to add that admittedly, I’m not fond of people, especially politicians with their false cozying up to the religious maniacs who have spent the last 40 years turning this country into a backwater as venal as Russia under the communists.

But I value LIFE, which includes humans, not matter how dense they are. Nobody in the GOP or the religious right/wrong seem to realize a lot of young women are going to die because of this decision–or NON-decision–by the conservative justices on the Supreme Court. Maybe they don’t care. They were certainly fine with Donald Trump committing mass murder last year. I’ll be watching, and pushing with every other decent person, to make sure this ass-backwards law in Texas takes a dive, and to see to it that this SCOTUS does not take us back to the Dark Ages.

–statement by Sherrilyn Ifill, President & Director-Counsel of the NAACP’s Legal Defense & Educational Fund (LDF)

https://www.naacpldf.org/press-release/ldf-issues-statement-on-supreme-court-decision-in-case-involving-texas-abortion-law/

John and Yoko on the Dick Cavett Show, Part two

https://mike3839.com/2021/04/24/john-yoko-on-the-dick-cavett-show-part-one/

May 11, 1972 [recorded on May 5, 1972]

The last time John Lennon & Yoko Ono came to The Dick Cavett Show, their segment had gone over and ran into a second show. John had been invited to come back and perform. Eight months later that came to pass, under very different circumstances. John was facing deportation at the hands of the Nixon Administration. Even worse might have been the choice of song John had come to perform. But that comes later.

Coincidentally his former partner in crime George Harrison had appeared on the show two months after John, and not long after his historic Concert for Bangladesh. Broadcast on November 30 of 1971, George was in his long-bearded, full beard & mustache period, along with his Indian guru Ravi Shankar. After the monologue he performed guitar behind Gary Wright & his band Wonderwheel on their song, “Two-Faced Man”. It was a bit of musicians returning the favor; after Wright played supporting guitar on George’s All Things Must Pass LP, George helped Wright record his 1971 LP, Footprint. Though George was in the background, his slide guitar was unmistakable.

George performs behind Gary Wright

At the time John Lennon was 30 years old, and George was only 28. Noting all the promoting going on with John’s last appearance, George said there was something he forgot to plug, namely John’s latest single “Happy Christmas”, which George was happy to oblige. He also believed we should show Monty Python’s Flying Circus in the United States. Well, soon enough…

An interesting conversation followed on the confluence of drugs and rock musicians. The first time he and John took LSD, for starters, they didn’t know it’d been slipped into their drinks by a dentist at a party.

At the time, the film for the Concert for Bangladesh was still in the editing process, but George did bring a clip that rolled in the middle of the show, from the concert featuring George & his all-stars performing his song “Bangladesh”. Ravi Shankar also performed, his face scrunched up with such concentration for a man playing such a relaxed sounding tune. Ravi too had a clip, from his film Raga, which had limited engagements in the United States.

Before John, the first guest on Cavett’s May 11th show was actress Shirley MacLaine, who was very different from how we know her today. She had already done one memoir at this point, and her movie The Possession of Joel Delaney had just come out. She turned out to be a very articulate guest. She had spent the past year campaigning for a candidate she ‘can’t mention’ on the air, because of network rules. She had travelled the country meeting people and had discovered a very different picture from what the media and politicians told us. Hmm, some things never change.

John & Yoko came on halfway through the show. Right off, John observed that Cavett had tossed his tie into the audience during his opening monologue. John said he was crazy about malted milk; “I was on cheeseburgers, but I got over it.”

Things quickly turned serious. “We’re really frightened because some people feel we have to leave this country,” Yoko said. They had chasing Yoko’s daughter Kyoko and her ex-husband Tony Cox all over the world. Even after they got custody of the child, Tony Cox ran off with Kyoko while fighting the courts in the Virgin Islands and Texas. Yoko hadn’t seen her own child in two years; John had to switch channels every time a child came on TV, because it was another reminder her daughter was missing somewhere in America.

Then there was the deportation case, going back to a drug bust in the UK in 1968 that was dismissed. The new charges were trumped up: “They’re after us because we want peace.” People assumed they were going to San Diego to cause a ruckus (they weren’t) and were even blamed for the Chicago riots in 1968, which was interesting since they were not politically active at the time.

At the 46-minute mark, we were treated to an insert. John had come to perform his newest single, “Woman is the Nigger of the World”. ABC felt this was a “highly controversial issue” with the audience, Cavett said, explaining the insert as the only option to a full deletion of that segment. And some complaints did come in, most of them directed against the ‘mealy mouth’ insert that Cavett was forced to put in.

Explaining the song, John said it came from a quote from Yoko in a 1969 interview. John was still a chauvinist at the time; they talked about it and had the song in their heads for two years. Then they joined their back-up band, Elephant’s Memory, on stage. John stripped off his black leather jacket and performed in a purple shirt. The saxophonist was taken in the spirit of the song, swaying in front of his microphone. Yoko had taken up a bongo, smacking it on the beat. John delivered quite a passionate performance. I think he even remembered all the words this time; he had a habit of forgetting his own lyrics during live performances. He wrapped things up by walking off the stage, with Yoko behind him, and sitting back down while the band winds the song down.

Yoko closed the show with her own number, ‘We’re All Water”. John doesn’t even step into the spotlight shining down on Yoko. You’d have thought people would have conniptions when she sang, “There may not be much difference/ between Chairman Mao and Richard Nixon/ if we strip them naked!” And there it is again, that shrieking we all know and ‘love’. Give her props for singing most of the tune. Between screams she yells, “What’s the difference? What’s the difference?” After spending most of the song in the dark behind lead guitar, John walks back from the stage, playing over Shirley MacLaine while Yoko shouts and John proudly introduces Elephant’s Memory.

Before closing the show, Dick asks if he’s met the best two of the Beatles. Surprisingly, John disagrees, saying he should meet Paul. “I think Ringo you’d have a good time with.” While this was the end of this show, John also had an even more fruitful week with Mike Douglas…

Available on: All three episodes featuring John & Yoko were released on a two-disc DVD, The Dick Cavett Show: John & Yoko Collection, @ Oct. 31,2005 from Shout Factory. George Harrison’s appearance was part of a collection released a couple months earlier, The Dick Cavett Show: Rock Icons, 3-discs, @ August 16, 2005, also from Shout Factory (the same outfit that archives the Power Rangers series on DVD).

John & Yoko on the Dick Cavett Show, Part One

September 11th & 24th, 1971

Back in the day we had loads of talk show hosts, in the afternoon or early evenings, and these were populated by laid-back, conservatively dressed gentlemen in suits and ties. They were respective to their audience; these shows were not circuses like Jerry Springer or any idjit on Fox News. David Frost and Dick Cavett were the cream of talk show interviewers.

Talk shows like this take me back to a time when people on these shows could sit down and listen, when people often had intelligent things to say. Of course in those days in the United States, and everywhere actually, we had but three major television networks, PBS and a handful of UHF channels that nobody tuned into. We didn’t have 500+ channels to surf, and we never suffered from short attention spans. Well, that’s enough grump-old-man stage for now.  

This would be John Lennon’s first interview on American television since the breakup of the Beatles the year before. Admittedly it was mostly to promote clips from their avant-garde films and new albums. Ironically this show was broadcast on September 11, thirty years before that date became significant. A clip from this show was employed in the film Forrest Gump; specifically, at approximately 16 minutes in, Yoko was CGI’d out and replaced by Tom Hanks.

As the couple crossed to the stage and sat down, the house band played a low-key snippet of “Come Together”. The beginning talk centered on their hair, which John & Yoko had cut short a year earlier to auction off. John was nervous and sarcastic at first; both of them chain-smoked throughout the interview, another sign of how times have changed. Once he found that he couldn’t bait Cavett, John relaxed a bit and was more forthcoming after that.

At one point John commented that he never expected to sing the same silly love songs in his old age. “So a long time ago I said that I didn’t want to be singing ‘She Loves You’ when I’m thirty. I said that when I was about twenty-five or something…Imagine being like fifty and still singing ‘Yesterday’.”

John also admitted to the influence of James Thurber on his art. Throughout the show John made every effort to share the spotlight with Yoko. The first of their clips to be screened was part of Yoko’s avant-garde film Fly; apparently the network censors only allowed a shot of the lady’s foot. We never got to the fly crawling on the more interesting parts. Cavett remarked, “When the censor found out that the movie was called The Fly, you can’t imagine what he thought.”

The talk drifts to Bagism, in which the couple had held press conferences in Austria, in a bag, in 1969. ‘There’s no prejudice when people are in bags,” John said, “It’s total communication.” After the commercial break, they invited members of the audience to come up and get in a bag. “Let us know when you’re through voting!” Cavett quipped.

The lights came down for the premiere of the promotional clip for Yoko’s first solo single, “Mrs. Lennon”, which debuted on this show. It was a sort of sad dirge that she carried very well. The second film, Erection, was not exactly what you’d think, you dirty minded folks. The film follows the slow-motion coverage of a skyscraper being constructed. Well, with Yoko, umm, in the background…

“I don’t care what happens when I’m dead,” John said, just tossing it into the conversation. Only with hindsight had that become a tragic, chilling observation. Finally, comes the debut for the clip for “Imagine”, probably the first time anyone had heard the song outside of the studio, a song soon to be iconic.

John got to explain, yet again, that “Lucy in The Sky with Diamonds” was NOT about drugs, it was about a drawing his son Julian had shown him. He said he got a recorded birthday greeting from Janis Joplin, but it didn’t get to him until after she had died. To the question of drug overdoses, John had to ask why people are using drugs or alcohol or whatever. “Is there something wrong with society that (we) have to use these things to guard ourselves against it? People take drugs or alcohol so they don’t feel what’s going on around them.”

The session was so enjoyable, John said he’d love to come back and do a live performance. It went so far over the allotted time that the following episode, the week of Sept. 24, Cavett introduced three additional segments from John & Yoko’s appearance. Discussion roamed over the subjects of Indians and Red Indians (properly Native Americans nowadays), abuse through the ages, the Bed-Ins for Peace and the surprising reaction against them, while also taking questions from the audience.

In fact, John would have the chance to perform less than a year later. And that’s another blog.

Yoko Forrest Gumped out.
An Example of Bagism

Retrospective, Neil Diamond’s Hot August Night (1972)

The first Neil Diamond song I ever heard was “Sweet Caroline” from 1969, so I can say that I was literally listening to that man before my wife was born.

Hot August Night should be on one of those lists people are fond of on the Internet, in the Top 5 of the Best Live Albums Ever Made for instance. I have good memories of this LP, it was in my Dad’s record collection when we were living by ourselves in the 1970s. there’s four of those records now, but I’m only going to be looking at the first.

My wife and I saw Neil Diamond in Seattle, around 1996. It was paid for by our mother-in-law, which was one of the few good things she ever did for us. There was a good vibe running throughout that concert. “America” is a song that’s best appreciated live; everyone was holding hands, including us, during “Sweet Caroline”.

Neil Diamond is a consummate performer, and on this double LP he’s at the height of his powers. It’s hard to believe that man was shy in high school, although that seems to seep out in the times he shares dialogue with the audience. It’s an astounding performance captured  at one of his favorite venues, the Greek Theater in Los Angeles. It was the first record released on the brand new label MCA, which came about from a merging of the Uni, Kapp and Decca labels.

Apparently it was a quick turnaround from performance to release, as the concert was recorded, naturally enough, on August 24, 1972, one of ten sold-out concerts at the Greek that month. It was in record stores by December 9.

It has its share of deep cuts, lesser known songs like “Porcupine Pie”, “Soggy Pretzels” and “Canta Libre”. We agree, my wife and I, that this slowed down version of “Red Red Wine” may be one his best renditions of that song. And there are the hits–“Solitary Man”, “Sweet Caroline”, “Shilo”, “Play Me” and live cuts from what was then his most recent LP, Tap Root Manuscript. My wife always cries when he does “I Am… I Said”, and I’m pretty sure Neil was deeply affected, too. The show closed with the inevitable “Brother Love’s Travelling Salvation Show”.

The album sleeve is one that has to be seen. One wonders if Neil ever looks back at that cover and asks, ‘Wow, did I ever have THAT much hair?’ Here’s to you, Neil Diamond, and may you have many happy years to come.

The Festival of Navaratri 2020

This is my first venture into the realm of Hindu festivals. What I’m about to provide will be a gross simplification, I know, an outline of its meanings at best. There is much to learn, and I’m only beginning. Well, here goes.

The Festival of Navrati is celebrated in India and all over the world over nine nights in the autumn, post monsoon season. Also known as Durga puja or Sharada Navrati–nav (nine) ratri (nights)–it comes in the Hindu calendar month of Ashum, roughly in September or October. The festival honors Goddess Durga, who defeated the buffalo-demon king Mahishasura in battle, and to honor the feminine power. The goddess rides a tiger or a lion, and each of her many arms carries a weapon–a conch, bow and arrow, a sword, javelin, a noose and a shield.

Over this holy week each day is dedicated to one of her nine avatars. The nine forms of Maa Durga are:

-Goddess Shailputri, considered the most important manifestation of Durga; she contains the aspects of unconditional love, mercy and knowledge;

-Goddess Brahmacharini signifies love, affection and fidelity, and is also a symbol of toughness. By worshipping her with pure love and devotion, she will bestow immense stamina to hold on while you fast. She is represented as one who loved to walk barefoot;

-Goddess Chandraghanta is worshipped as a goddess of peace and forgiveness, with the power to eradicate evil. While she is ready to destroy the wicked, her devotees see her as a compassionate mother;

-Goddess Kushmanda is credited with creating the universe with her divine smile. She is believed to improve health and to bestow spiritual fulfillment

-Goddess Skandamata grants knowledge and wisdom to her devotees;

-Goddess Katyayani, a warrior divinity who fulfills the wishes of those who worship her with a pure heart;

-Goddess Kaalratri destroys ignorance and spreads light. It is also possible she was a precursor of the diety Kali;

-Goddess Mahagauri fulfills the desires of her devotees. This form of Durga represents purity; and

-Goddess Siddhidatri, the final form, fulfills all the divine aspirations of Maa Durga.

Short Fiction: Taking Down the Cameras

This was the day I’d always dreamed of, since that first afternoon I saw those spycams on their spindly metal rods posing over our traffic signals. Only a few appeared at first but as time moved on, they began to multiply like fleas at every traffic stop. I fumed every day, even sped past those electronic signposts screaming “Speed Limit Exceeded”, just to be contrary. Maybe it was cowardice not acting on our frustrations sooner, but the generations pass, new voices arise with the balls of the young, and I was proud to be invited to stand with my grandson as we tossed a tow cable around the spycam’s neck and yanked hard.